SubCulture, the intimate downtown performance venue, has established itself as an outlet for world-class performances. They have programmed these performances in collaboration with the greater Institutions of the classical world like the 92Y, and the New York Philharmonic.
Yesterday’s evening with the Smetana Trio, jointly presented by SubCulture and the 92Y, brought musical mastery and international flavor to the local scene at Subculture, with their world-class representation of a wide variety of Czech composers.
The foremost Czech chamber ensemble, supported by the Czech Center New York, currently on cross-country tour, was founded in 1934 by the legendary Czech pianist Josef Páleníček. The trio’s longstanding traditions were palpably present, showcasing each of the strong individualities of each performer: pianist Jitka Čechová, violinist Jiří Vodička and cellist Jan Páleníček.
Especially soulful in the second half of the program, the trio portrayed the work of its namesake, composer Bedřich Smetana’s Piano Trio in G minor, Op.15, with all its characteristics of hauntingly beautiful melodies, halting rhythmic climaxes and propelling drama.
While it always seems difficult to establish a specifically national idiom within the abstract realms of musical language, the trio’s intention to familiarize its intimately addressable audience with works bearing its own national cultural flavor, seemed convincing.
The program included works by composers as varied as Josef Suk, Bohuslav Martinů and a New York premiere by Roman Haas. Amazingly, one felt something overall connected in the music. Perhaps it’s a bit of a cliché in our times of leveling all and equalizing ideals, but it was invigorating to acknowledge that – like in a Milan Kundera novel – different heritages bring different characteristics to art’s exploration of the great themes of existence.